Shape operators can be applied to Illustrator files converted into Shapes inside After Effects, including the self-animating Wiggle Paths and Wiggle Transform operators Massive 3D improvements in Adobe After Effects CS6
We applied a number of animating paths to a number of imported stars simply by clicking on the outline of each star, adjusting the stroke width and clicking on the Add arrow alongside the Fill and Stroke controls, then choosing the Wiggle Paths operator. Then, because this is After Effects, operators can be added to apply transformational animation to the stroke lines. Other vector shapes can be added and blended with the original. You can transform the scale, position, and rotation of the layer and edit the shape using Bezier handles. Once in this form it's simple to adjust attributes such as stroke widths and colours and fills, editing the colour directly within After Effects rather than returning to Illustrator. There's closer integration with Illustrator- allowing you to create Shapes from vector layers with a dedicated command. Open GL now takes more control of many of the drawing features in After Effects CS6, including user interface elements, such as masks, motion paths and layer bounding box handles as well as Action and Title Safe grid overlays.Īfter Effects CS6 better harnesses OpenGL for faster interactivity, a more highly responsive work environment, and a smoother, more immediate user experience Throwing shapes in After Effects CS6 As an added bonus, the cache contains frames from all projects you have opened in the same or earlier sessions so disk-cached frames from one project can be retrieved again for other projects that require those same frames. The disk cache can be defined in Preferences> Media & Disk Cache, so you can specify a fast, connected drive, one separate from your footage. This persistent disk cache function can thus save a lot of time, and becomes even more valuable when the power goes down or your system crashes. On reopening a previously cached project we found blue lines above the comp layers, indicating that the application has located all the previously cached frames on the disk, without the need to re-render them. Reusable frames are recognised anywhere on the timeline, and this includes when they're in duplicated layers, or duplicated compositions or not on adjacent frames - which includes using loop expressions, time remapping and copying then pasting keyframes.Īnother great enhancement in After Effects CS6 is when you close the project or exit the app. Adobe has re-engineered the system to recognise any frame of a composition or layer inside a project that is the same as a previously rendered and cached frame, so that it does not need to be re-rendered. The same thing happens if you toggle layer visibility as well as after an undo or redo command. If we then delete the effect, the green line reappears and again the preview runs in real-time, without reloading the RAM Preview. However the next RAM Preview that's run is considerably faster than the previous preview, despite the change. We decided to add an effect to our comp, CC Mr Smoothie from the Stylize menu, and as is normal, the green line disappears as the cached composition has now been changed. You can run Cache Work Area In Background to cache one composition to disk while working on another, while the Persistent Disk Cache facility means that cached frames are preserved even when the project is closed Hands on with Adobe After Effects CS6
However the ray tracer renderer will deliver a very decent level of photorealistic quality using only the power of the CPU, so don't let this put you off upgrading. It's also worth noting that the ray tracer does not support layer styles and certain masks and effects, nor is underlying transparency preserved, or tasks like lighting blending modes and track mattes supported.
#Cs6 after effects pro
This may be problematic for those on a MacBook Pro or Windows laptop. And we'll probably have to invest in an NVIDIA Quadra card or similar after being tempted by the thought of GPU-accelerated ray-traced 3D rendering. We don't like the fact that Photoshop Video Layers and Pixel Bender are not presently supported. Having sung the praises of After Effects CS6, there were things we weren't so keen on. Variable mask feathering has been long requested by the AE faithful, so that patience has been finally rewarded. The 3D camera tracker and ray tracer renderer are also very welcome additions, probably the Wow features in this release, though it has to be said we have a soft spot for the Illustrator integration too.
#Cs6 after effects upgrade
As such it's worth, to a deadline-conscious compositor at least, the cost of an upgrade - or Creative Cloud subscription- in itself.
#Cs6 after effects Pc
The Global Performance Cache is amazing, as it basically means that you have much more power to experiment with effects without waiting around for the rendering of your PC to catch up.
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